Through The Rear Window: Movie Review ... Her

Sunday, January 19, 2014

Movie Review ... Her

Handling technology and relationships is something ‘Her’ explores. Both have changed dramatically in the last decade with our reliance on electronic devices increasing. It’s an interesting basis for a romance film and something director Spike Jonze skilfully does. Showing how we interpret our feelings via a press of a button or tone of voice makes for an engaging piece only he could provide.

Lonely writer Theodore (Joaquin Phoenix) is going through a divorce and is bored with life. Seeking some form of companionship he purchases an OS1 – an artificially intelligent operating system. Named ‘Samantha’, it speaks to Theodore and becomes a treasured and constant friend. Telling Samantha all of his deepest desires, he soon develops a deep infatuation. Knowing his love for a machine is wrong, he grapples with his feelings as he searches for a way to reconcile his conflicted emotions.

‘Her’ is a remarkable look at obsession and learning to feel ‘alive’. Theodore’s dalliance with his automated love is eerily reminiscent of today’s technologically-infatuated populace. How Samantha feeds into his insecurities and isolation only further draws him away from reality. The fantasy world of fake-love slowly unravels the human interaction Theodore initially craves. That he uses Samantha as a crutch for his emotional stagnation shows the demons he must face.

Jonze makes these myriad of emotions blend into an enthralling tale. ‘Her’ is the type of film forcing you to think well after the final scene which is a mark of any good story. It could either be classed as a romantic, comedic, dramatic or even horrific fable. The many layers allows for many interpretations with Phoenix anchoring the piece with strong conviction. You genuinely feel the emptiness of his character with the hopeless situation from which only he can break out.

Almost serving as a warning to where society is heading ‘Her’ is compelling. Although no one can avoid technological advances, ‘Her’ raises questions on how our humanity should never be lost in the name of advancement.